- I was interested in Seebach’s use of line within a space to create sculptural forms of negative spaces – her works are akin to drawing in space
- steel & ceramic components
- made in relation to the human form – negative space occupies a large part of each sculpture
- ‘in-between state’
- each sculpture conjures an amplified moment – elegant and fragile – evoking a space containing something
Epiphanies of the Moment – Vol 37 issue 1 – Goodman, Jonathan, Sculpture, Washington
- combination of line and volume – leads to drawing in 3 dimensions, ‘yet at same time, the space occupied by the forms is expansive, more or less installational.’
- assemblage, modernist roots, juxtoposition of elements
- ‘Seebach uses a reimagined vocabulary of modernist sculpture.’